Don’t Advertise Your Man, Yellow House Salon #15

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Don’t Advertise Your Man piano and singing by Laura

Here’s my awesome guy, Joe Sweeney! He does laundry and helps my daughter with her math, he also is an amazing bird photographer, very funny, extremely handsome, and the love of my life. I could go on and on, but before I do, I think I’ll take the advice of  Clara Smith who first wrote this old blues tune back in the 1920’s, Don’t Advertise Your Man. Sippie Wallace came our with her version in the 1960’s. Bonnie Raitt has also recorded a sassy version.

Be sure to check out these recordings, and remember, girls, Don’t Advertise your Man!

Clara Smith

Bonnie Raitt and Sippy Wallace

Raspberry Beret, Yellow House Salon #14

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Raspberry Beret music and lyrics by Prince, piano solo by Laura

Growing up in beautiful Choteau, Montana (population 1800), we had one movie theatre, the Roxy, open only on the weekends. To my delight, in 1984, the Roxy showed Purple Rain, starring Prince.  As a young high school desperate to explore places and faces outside of my hometown, I was mesmerized by the music, the story, and of course, the romantic vision of Prince cruising  down the open road  on his motor bike! Vroom!

Today, and homage to Prince, an amazing talent and unique artist!    Oh how I long to be as cool as the  elusive girl in Raspberry Beret.

That’s when I saw her,

Ow I saw her, she walked in through the out door. 

She wore a raspberry beret, 

of the kind you find in a second hand store.

raspberry beret

and if it was warm, she wouldn’t wear much more.  

by Prince

 

 

Lágrimas Negras, Yellow House Salon #12

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Still dreaming of adventures in Cuba.  Today, a post featuring Lágrimas Negras (black tears), a traditional Cuban Bolero written by Miguel Matamoros. My group learned this piece under the instruction of a wonderful voice teacher at the havana music school.

The bolero, in two parts, opens with a slow lament. The singer has been abandoned and suffers immense pain. She sobs black tears over her lover’s  transgressions. The second half picks up as she decides to suffer no more.  Above, my recording, a piano arrangement of Lágrimas Negras.

 

Don’t miss these three different takes on Lágrima Negras:

Cuban Singer/Guitarist with Cuban footage

American Cuban Songstress, Celia Cruz

Cuban piano master Bebo Valdés and  flamenco cantador, Dieguito El Cigala

Please visit Weeks 9, 10, and 11  for more on my Cuban adventures.

Obini Bata, (Yellow House Salon #11)

 

IMG_0573Obini Bata is a government sponsored bata drumming and performance group. In fact, this is the first group of women in Cuba to play Yoruba drums professionally, a role typically reserved for men. Bata drums are hourglass-shaped drums played in a group of three.

Yoruban music has African origins, Nigerian, to be exact.  This music and dance were originally used in religious ceremonies. The leader of Obini Bata, a former principal ballarina, tells us the group strives to portray Yoruban music and dance as a cultural art without religious implications.

The group has performed all over Cuba and Nigeria. The performers rehearse 4-8  hours every day in their bare bones studio in a crumbling building in the Central District of Havana. Our visit includes a powerful private performance of singing, drumming, and dancing. The women also conduct a workshop for my  group where we try our hand at Yoruba drumming (much harder than it looks), sing a  Yoruban song, and dance in long white skirts.

For more about my adventures in Cuba, please visit week #9 and week#10 of the Yellow House Salon.

 performance and documentary  footage of Obini Bata  (en español)

Rumba! (Yellow House Salon #10)

Today’s recording is a video of Rumba dancers and musicians taken at El Gran Palenque. (Havana, Cuba)

 

Rumba! Locals are packed in at El Gran Palenque in the Vedado district of Havana, Cuba.  It’s a rumba fiesta and all generations are represented in this lively party under the hot Havana sun.

Rumba is a Cuban dance accompanied by a live band. The musicians (rumberos), include a lead  singer and percussion. There are three sizes of drums (trumbadoras) and smaller percussion instruments including claves (two hollow sticks struck together),  a  catá (a small hollow trunk mounted on a stand and struck with two sticks), and sometimes a type of gourd shaker (a gourd covered with a netting of beads).

There are different styles of Rumba including  the guaguancó, the columbia, and the yambú.  The guanguancó is danced by couples and has a courting element where the man pretends to kick the woman between the legs and the woman quickly covers herself to avoid  his advances. The  Columbia is a solo dance for males while the  yambú is for older people, often accompanied by a cajón, or box drum.

Yellow House Salon #9, Rhythms of Cuba

 

Rumba, almendrones (vintage cars from the 50’s now used as colectivos and taxis), salsa, cajons(a type of drum used in Cuban music), congas, magnificent restored mansions, crumbling  estates, high rise government housing, sidewalk cafes, vegetable venders, bicycles, car honks, clave rhythms, dancers, drummers, bungavilla, more car honks,  Santeria (an Afro Caribbean religion) , arroz y frijoles (rice and beans), strong  coffee, Cuban ballads, tobacco fields, bananas, pineapple, pigs, oxen, chickens, and stray dogs, and many, many, many gracious and beautiful people. My group of 11 intreped travelers settled into this beautiful and complicated tangle for 12  packed days on a recent trip to Cuba!  I joined Andre Mallinger and Laura Tyson of True Nature Journeys for a transformational, small group adventure trip  focusing on the music, dance, and culture.

On the first part of our trip, we stay in the cultural heart of Havana, the Vedado district, known for its hotels, theaters, and music venues. Here colonial mansions mingle with high rise 50’s style buildings. Our hosts for this portion of the trip are Cuban families who operate casa particulars, private rooms in large apartments.

While in Havana, we attend music classes with both highly trained professional musicians and dancers and excellent street style players. Local scholars enlighten us with discussions about music, culture, and Cuban history. Stand out experiences include neighborhood gatherings such as El Gran Palenque, a Rumba fiesta where multi generations mingle together for music and dancing  in a lively party scene.

In addition to our time in the city, we travel out of Havana for a look at rural life in Valle Viñales, where we stay in lovely, family-owned casitas. Here, life moves at a slower pace. We stroll through fields and tobacco farms, and enjoy beautiful rock formations (migotes) which rise like giants (as high as 1,000 feet), out of the floor of the green valley.

This weeks recording is a video of a group heard on our first night in Havana, the group was playing at UNEAC (a beautiful courtyard  venue  dedicated to writers, artists, and musicians in the Vendado district.)

The next few posts will go into deep depth about Rumba, Cuban Canciones, and Cuban culture.

 

 

Yellow House Salon #8 Prelude (Melody No. 17)

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A lovely Gershwin Prelude this week, (No. 17).  The sun is shining, the sky is a brilliant blue, and the blooms are busting out all over Seattle today!

Cheryl  Strayed is the author of Wild, the raw and fascinating autobiography about her solo journey on the  the Pacific Crest Trail. I recently picked up Brave Enough  by Cheryl,  a book of over 100 sassy and inspirational quotes. I highly recommend this little gem  for a no nonsense shot of grace and courage!

Two quotes from Cheryl

“You can’t ride to the fair unless you get on the pony.”

“Be about ten times magnanimous than you believe yourself capable of being. Your life will be a hundred times better for it.”

(magnanimous |magˈnanəməs| adjective  very generous or forgiving, especially toward a rival or someone less powerful than oneself.)

Heading to Cuba for a two week adventure early next week for The Rhythms of Cuba-a journey packed with drumming, dance, concerts, and cultural exploration. The Yellow House Salon may be interrupted for a couple of episodes, unless I find a way to post from Havana. Rest assured will be a load of Cuban music in the future!

 

 

 

 

 

Yellow House Salon #7, Rubato

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Ruby with the Eckstein Senior Orchestra at Icicle Creek Retreat

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Statue on grounds of Sleeping Lady near Leavenworth Washington

 

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This week’s recording is a Gershwin Prelude, Rubato. Rubato means to play with expressive freedom,  a give and take of the tempo without altering the overall structure. (recorded on my Roland hand held digital recorder)

The first thing about middle schoolers, they eat a lot!  As a chaperone on a recent Icicle Creek trip, most of the duties consisted of food shopping,  feeding the kids, tucking them into their cabins at night, and  letting them out of their cabins in the morning. Just over a week ago,  I accompanied my daughter, Ruby, a member of the senior orchestra of Eckstein Middle School, to the snowy wonderland retreat at Icicle Creek/Sleeping Lady resort near Leavenworth, Washington. We were a group of 50 including the orchestra, coaches, the director, and chaperones.

Aside from a few Faulty Towers moments where we had to shuffle people in an out of rooms to make sure everyone had a place to sleep, the retreat was a huge success.  The kids worked their tails off, rehearsing as much as 11 hours a day in the full orchestra, sectionals, and chamber groups.

I am in awe of the commitment of the director, Brad Smith,  the students, the high school coaches, the professional instructors and the parents of all of these kids to make this all come together. It’s not just the support to pull of this  weekend retreat, but the long-term commitment to music education.  I listen and watch the students and I think of the weekly lessons, the daily practice, the extra rehearsals, the shlepping of instruments back and forth, the patience of the instructors, the juggling of schedules, the endless repetition in the practice room, and finally, the  glorious music  that is the end result of this team effort. Ultimately, the pursuit of music is an act of love on all parts, and it definitely takes a village.

 

 

What the World Needs Now is Love Yellow House Salon Week #6

I’m off on an adventure later this week with my daughter and her middle school orchestra, that’s why this week’s recording is a little early.  The trip is a labor of love, as I am the trip leader for 37 kids and 12 adults to the beautiful Icicle Creek/Sleeping Lady resort in Leavenworth, Washington. That’s a story for next week, perhaps.

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I love walking to cafés, almond milk cappuccinos,  and making lists.

I have pages in my filofax planner (one of my favorite things), listing people, experiences, and things I love. I’m up to #42.

If we all do a little more of what we love and focus on loving those we love, I think the world will be a little better place.

As Mother Teresa said, We can do no great things, just small things with great love .  Now with all this talk about love, here’s  What the world Needs Now is Love. 

Music by Burt Bacharach, Lyric by Hal David, arranged by Phillip Keveren, played by Laura Dean

What the world needs now is love, sweet love
It’s the only thing that there’s just too little of
What the world needs now is love, sweet love
No, not just for some but for everyone

MP4 Format What the world needs now is love, sweet love

MP3 Format here! 

 

 

Yellow House Salon, Week#5 Cod Liver Ile

cod-liver-catsCod Liver Ile, the fifth and last piece in a series of American Ballads by Roy Harris, is a take on the traditional, Cod Liver Ile.

This piece in very early stages, is by no means ready for a public performance. Cod Liver Ile  needs to stew and simmer in the studio.  However,  as I’ve mentioned before, I’m dedicated to showing my work on this blog, inspired by Show Your Work by Austin Kleon.

I’ve challenged my students to show up and do the work every day! I Love Practice February

In the early stages of a piece or a program, the music  is not always pretty and polished, pieces often sound jagged and unsettled. In the early stages, I may feel like the cat on the left. However, I know  the rewards of showing up and doing the work every day are great and when I finally have a piece, I feel like the cat on the right. I think I’d rather practice than take Cod Liver Oil!

Here is this week’s recording, Cod Liver Ile by Roy Harris played by me.

Here is a wonderful take on the folk song sung by the Dubliners