A quick note to remind everyone that I have a couple of author events coming up for my new book, Music in the Westward Expansion. I’d love to see you there! Both events will include narrative interspersed with live music played on the Northern Cheyenne Courtship flute, the piano, and the guitar!
*Audience members at the Music Center are required to wear a mask. *I will have a limited number of books on hand for sale for the Music Center event. If you’d like a book signed, I encourage you to purchase a copy ahead of time at your favorite book seller
Indigenous people, explorers, pioneers on the Oregon Trail, missionaries, miners, cowboys, preachers, teachers, and frontier settlers all left behind a rich musical history. Each group that traveled west brought heart to the experience as they wove their unique threads into the musical tapestry that was as diverse as the people and experiences of the nineteenth century American West. Below you will find the “Heart List” which highlights the many roles that music played as people established a new sense of place.
The Heart List: In the 19th Century American West, music provided… • Celebration • Comfort for people (and restless cattle) • Community connection • Creative outlet • Diplomacy • Diversion • Entertainment • Expression of cultural identity • Expression of friendship • Expression of joy • Expression of love • Expression of sorrow • Historical records of events • Memories of home • Sense of place • Solace • Worship
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A quick post to let you know the news that yesterday I signed a publishing contract with McFarland & Company, Inc. for my book: Heart and Place: Music and the Westward Expansion (this is the working title). The project is near and dear to my heart. I guess you say the book has been 51 years in the making, as both music and living in the West have played such a huge part in my life. There is still a long road ahead, but yesterday marks a big milestone along the way.
The book explores a variety of music traditions of the 19th Century American West including Northern Cheyenne courtship flutes, fiddle playing explorers, women composers, medicine songs, French tunes, dancing fur trappers, hymn-singing missionaries, piano playing nuns, frontier flutists, girls with guitars, wagon driving balladeers, opulent theaters, musical instrument showrooms, Chinese American Suona players, singing farmers, opera enthusiasts, musical miners, and preaching songsters. Stay tuned for updates on the book launch date!
Emigrants Crossing the Plains (Albert Bierstadt), 1869
Our long journey thus began in sunshine and song
Peter H. Burnett, May 22, 1843
For the past two years, I’ve been researching the history and music of the early American West for an ongoing research project I call Heart and Place: Music of the Westward Expansion. The history of the American West brims with inspiring stories, musical diversity, artistic creativity, and valuable life lessons relevant to our modern world.
Today I’m sharing four video clips featuring short narratives and music of the Westward Expansion -played on four instruments. I have played this music for concerts in Oregon, Washington, and Montana, and even at Rancho La Puerta in Tecate, Mexico. I’m looking forward to working with this music and history for many years to come.
A “June Gloom” day in Seattle made for the perfect opportunity to visit the VICTORIAN RADICALS exhibit at Seattle Art Museum (SAM).
The attention to detail in the array of colorful paintings, tapestries, clothing, jewelry, and pottery transported me into a romantic world of gardens, gods, goddesses, secret liaisons, betrayals, and courtly love! My hands down favorite painting was Musica, by Kate Elizabeth Bunce. The lovely young musician with her ornate lute, sumptuous dress, and intricate jewelry, posed in front of a blooming floral arrangement, swept me away.
At one point I was asked to kindly step back from a display case (got to close). The case held a book which was open to a poem entitled, Edward Gray. I was mesmerized by the beautiful poem written by an English poet, Alfred Tennyson (1809-1892). I thought to myself, someone must have set this poem to music. When I got home, I did a little digging online and found a piece of sheet music written by Arthur Sullivan (1842-1900), of Gilbert and Sullivan fame. As it turns out, Edward Sullivan set Edward Gray to music. Sullivan’s setting is operatic, covers multiple octaves, and is far too complicated for the purposes of laying down a quick track for my blog…….. so I modified the melody and accompanied myself on my Taylor guitar as I don’t have a lute lying around the studio, I do however, have plenty of floral dresses.
Here’s my version of Edward Gray:
Here are some more beautiful paintings from the exhibit!
Sigismonda (or Gismonda), 1897 by Joseph Edward Southall
I didn’t get the name of the artist for this one… the narrative of the painting is about a young man who died in battle, the women are handing over some of his personal belongings to his broken-hearted lover!
Couldn’t we all use more flowers, more color, more art, more music, more beauty, more love?
Last weekend, Scott Simon of NPR’s Weekend Edition featured an interview with award-winning Canadian singer, songwriter, artist, and social activist, Buffy Sainte-Marie. What a delightful and insightful interview!
This is the first time I’ve heard of Buffy Sainte-Marie. Where have I been? I instantly fell under her spell as she talked about her recently released biography, her life in music, and her personal journey. As the interview rolled on, her radiant spirit, humor, and message of hope came through loud and clear. Thanks, Scott Simon!
She co-wrote the 1982 song, “Up Where We Belong” from the film, An Officer and a Gentlemen. For this song, she received a Golden Globe and an Academy Award, making her the first native person to ever win that award.
Snow is starting to fall. Looks like we’ll be having a white Christmas in Seattle! Here’s to peace, love, music, health, and joy today, and every day. Here’s my daughter, Ruby, and I playing Christmas Cookies (Dec. 17, 2017 at Music Center of the Northwest), originally recorded by George Strait, written by Aaron Barker. Merry Christmas!
Rodeo queens, show girls, casinos, hustlers, Texas hold ’em, slots, swanky shops, and mile after mile of neon lights, oh my! Last weekend, Joe and I took a trip to Las Vegas, my first time. Why Vegas? Two words: George Strait.
I’ve been listening to and singing George Strait songs for over thirty years. I love his soothing voice, the beautiful songs, his personality, and his old- school country sound. What’s better than George singing more than thirty of his greatest hits, accompanied by the Ace in the Hole Band? Amarillo By Mornin’, Check Yes or No, The Chair, Easy Come Easy Go, are some of my favorites. I also enjoyed the two songs tribute to Merle Haggard, including, Are the Good Times Really Over, now that’s some old-time country!
I can’t stop thinking about the show, what a delight to experience a stage full of seasoned musicians who effortlessly and elegantly tossed off hit after hit. I think musicians of all genres would find inspiration in watching these professionals at work. Some of those guys were in their late 70’s if not 80’s. Definitely not their first rodeo.
While in the big AT&T Stadium, the concert had excellent sound with amazing views of George and the band no matter where he was standing on the square-shaped stage, thanks to the Jumbotron. For the encore, the George and the band played a perennial favorite… All My Ex’s Live in Texas, the Milk Cow Blues, and an old-time swing number, Take Me Back to Tulsa. Here’s George Strait singing Old Troubadour.
We also took in Cirque du Soleil’s One, featuring the music of Michael Jackson. A stunning show with death-defying acrobatics, creative staging, brilliant costumes, amazing performers, and dazzling lighting. Standouts of the show include, Billy Jean danced in the dark, the dancers (and flying acrobats), outlined by a tiny lights, the sexy, Dirty Diana, danced by an athletic, and incredibly flexible woman, the fierce female bass player playing all those memorable riffs such as Beat it and Smooth Criminal, and a hologram of the King of Pop himself, dancing the grand finale of the show. Absolutely mesmerizing. Here’s the trailer for the show.
Below are some shots of the strip and check out George Strait singing Old Troubadour.
I’m delighted to announce the launch of a new program, Heart and Place: Stories of the Westward Expansion told through music and narrative. This project feels like coming home, as I grew up in rural Montana. Choteau, Montana, to be precise, population 1800.
My early music experiences in that small town and have fueled my career as a music educator/ musician. Some of those experiences include singing in choirs, playing in band, studying piano, playing for church, acting in musicals, and to driving to the next small town for voice lessons. This program brings it all home.
I’ll be launching the program in Seattle on Oct. 14 and will be taking it to Montana to perform at the CM Russell Museum Oct. 26, 7:00, as well as several Great Falls area schools.
The story of the West is epic, and while I cannot focus on everything, I’ve chosen certain aspects to highlight including the music of the Overland Trail, the early frontier settlements, and the Northern Cheyenne Courting Flute as taught to me by Jay Old Mouse of Busby, Montana. The performance includes solo piano music, singing, guitar, and demonstrations on the fiddle and the Northern Cheyenne Courting Flute.
“COURAGE IS BEING SCARED TO DEATH, BUT SADDLING UP ANYWAY.” ― JOHN WAYNE
Billings, Montana, marketed as Montana’s trailhead, located in South Central Montana in Yellowstone County, serves as Montana’s largest city with a population of nearly 115,000 residents. I was born in Billings while My Dad was attending Eastern Montana College (now Montana State Billings). My Mom reports we lived in a humble abode ( a garage) for around $30.00 per month. We lived in Billings for my first four years, then moved to Poplar, Montana, then ended up in Choteau, Montana.
My recent trip to Billings, accompanied by Joe, was nostalgic, relaxing and educational. The primary reason for the trip was to pay a visit to Jay Old Mouse and learn about the Northern Cheyenne Courting Flute. In a couple of packed days, we visited the Little Bighorn Battlefield, hiked along the Rim Rocks, strolled along the Victorian Mansions in the Historic District, and visited the Western Heritage Museum. We also spent time with my brother and family who drove over from Clyde Park, near Bozeman. (also ate at a great restaurant called the Wild Ginger!)