Rancho La Puerta 2023

Rancho La Puerta is a wellness resort in Tecate, Mexico, dating back to the 1940s. My first visit to Rancho La Puerta was in 2009. Since then, I’ve returned to the Ranch as a musical guest some ten times! This year, I took my daughter Ruby along as my side kick, and we had a wonderful time. Personal highlights of the week included hiking, swimming, fitness classes, wandering through the meandering gardens, reading by the pool, eating award winning vegan meals, and best of all: connecting with old friends and staff members from years past, as well as meeting new friends. In short, a trip to the ranch felt like coming home.

During the week, I presented an evening solo piano concert based on my book which rolled off the presses about a year ago: Music in the Westward Expansion: Songs of Heart and Place on the American Frontier. I also led a class called “Sing-along with Laura,” an hour filled with standards, show tunes, and pop favorites.

A week at Rancho La Puerta encourages slowing down, breathing deeply, and living in the moment. Indeed these are gifts available to us every day of the year wherever we are! Try it now…… take a big breath in and a long, audible exhale…..Ahhhhhhhhhhhhhhhhhhh!

Now, don’t you feel better?

Author Events beginning next week!

A quick note to remind everyone that I have a couple of author events coming up for my new book, Music in the Westward Expansion. I’d love to see you there! Both events will include narrative interspersed with live music played on the Northern Cheyenne Courtship flute, the piano, and the guitar!

Saturday, August 6, 2022, 7:00 -8:30 pm

Music Center of the Northwest
901 N 96th St, Seattle, WA 98103
Free Admission- no registration required

*Audience members at the Music Center are required to wear a mask.
*I will have a limited number of books on hand for sale for the Music Center event. If you’d like a book signed, I encourage you to purchase a copy ahead of time at your favorite book seller

Tuesday, August 9, 2022, 7:00 -8:00 pm

Third Place Books at Ravenna: 6504 20th Ave NE, Seattle WA 98115. Registration is required-click on the above link. Third Place Books is stocked with copies of the book for purchase.

The Girl I Left Behind Me!

The Heart List

This post is part of an ongoing series featuring recorded music, stories, and narrative from my forthcoming book:

Music in the Westward Expansion: Songs of Heart and Place on the American Frontier.

Red Boots (a gift from artist, Julie Andrews of California).
“What Wondrous Love Is This,” American Folk Hymn from the early 1800s, played by Laura Dean.

Indigenous people, explorers, pioneers on the Oregon Trail, missionaries, miners, cowboys, preachers, teachers, and frontier settlers all left behind a rich musical history. Each group that traveled west brought heart to the experience as they wove their unique threads into the musical tapestry that was as diverse as the people and experiences of the nineteenth century American West. Below you will find the “Heart List” which highlights the many roles that music played as people established a new sense of place.

Indeed, the “Heart List” applies to our modern world. For a contemporary story that illustrates the healing power of music in the face of Alzheimer’s disease, I encourage you to watch the 60 Minutes episode that aired last week,”The Final Act,” which features musical legends Tony Bennett and Lady Gaga.

The Heart List: In the 19th Century American West, music provided…
• Celebration
• Comfort for people (and restless cattle)
• Community connection
• Creative outlet
• Diplomacy
• Diversion
• Entertainment
• Expression of cultural identity
• Expression of friendship
• Expression of joy
• Expression of love
• Expression of sorrow
• Historical records of events
• Memories of home
• Sense of place
• Solace
• Worship

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Heart and Place- The Book!

A quick post to let you know the news that yesterday I signed a publishing contract with McFarland & Company, Inc. for my book: Heart and Place: Music and the Westward Expansion (this is the working title). The project is near and dear to my heart. I guess you say the book has been 51 years in the making, as both music and living in the West have played such a huge part in my life. There is still a long road ahead, but yesterday marks a big milestone along the way.

The book explores a variety of music traditions of the 19th Century American West including Northern Cheyenne courtship flutes, fiddle playing explorers, women composers, medicine songs, French tunes, dancing fur trappers, hymn-singing missionaries, piano playing nuns, frontier flutists, girls with guitars, wagon driving balladeers, opulent theaters, musical instrument showrooms, Chinese American Suona players, singing farmers, opera enthusiasts, musical miners, and preaching songsters. Stay tuned for updates on the book launch date!

Signing the Contract with McFarland & Company, Inc. 6/15/20

 

Featuring music from the American West played on four instruments!

Unknown.jpegEmigrants Crossing the Plains (Albert Bierstadt), 1869

Our long journey thus began in sunshine and song

Peter H. Burnett,  May 22, 1843

For the past two years, I’ve been researching the history and music of the early American West for an ongoing research  project I call Heart and Place: Music of the Westward ExpansionThe history of the American West brims with inspiring stories, musical diversity, artistic creativity, and valuable life lessons relevant to our modern world.

Today I’m sharing four video clips featuring short narratives and music of the Westward Expansion -played on four instruments. I have played this music for concerts in Oregon, Washington, and Montana,  and even at Rancho La Puerta in Tecate, Mexico.  I’m looking forward to working with this music and history for many years to come.

Take a look here for more information on the Northern Cheyenne Courtship Flute. 

 

VICTORIAN RADICALS

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Musica (Melody) by Kate Elizabeth Bunce

A “June Gloom” day in Seattle made for the perfect opportunity to visit the  VICTORIAN RADICALS exhibit at Seattle Art Museum (SAM).

The attention to detail in the array of colorful paintings, tapestries, clothing, jewelry, and pottery transported me into a romantic world of  gardens, gods, goddesses, secret liaisons, betrayals, and courtly love!  My hands down favorite painting was Musica, by Kate Elizabeth Bunce. The lovely young musician with her ornate lute, sumptuous dress, and  intricate jewelry,  posed in front of a blooming floral arrangement, swept me away.

At one point I was asked to kindly step back  from a display case (got to close).  The case held a book which was open to a poem entitled, Edward  Gray.  I was mesmerized by the beautiful poem written by an English poet, Alfred Tennyson (1809-1892).   I thought to myself, someone must have set this poem to music.  When I got home, I did a little digging online and found a piece of sheet music written by Arthur Sullivan (1842-1900),  of Gilbert and Sullivan fame.  As it turns out, Edward Sullivan set Edward Gray to music.  Sullivan’s setting is operatic, covers multiple octaves, and is far too complicated for the purposes of laying down a quick track for my blog……..  so I modified the melody and accompanied myself on my Taylor guitar as I don’t have a  lute lying around the studio, I do however, have plenty of floral dresses.

Here’s my version of Edward Gray:

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Here are some more beautiful paintings from the exhibit!

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Sigismonda (or Gismonda), 1897 by Joseph Edward Southall

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I didn’t get the name of the artist for this one… the narrative of the painting is about a young man who died in battle, the women are handing over some of his  personal belongings to his broken-hearted lover!

 

Couldn’t we all use more flowers, more color, more art, more music, more beauty, more love?

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Cafe Flora, Seattle

 

Buffy Sainte-Marie, Love Lift Us Up!

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Last weekend, Scott Simon of NPR’s Weekend Edition featured an interview with award-winning Canadian singer, songwriter, artist, and social activist, Buffy Sainte-Marie. What a delightful and insightful interview!

This is the first time I’ve heard of Buffy Sainte-Marie. Where have I been? I instantly fell under her spell as she talked about her recently released biography, her life in music, and her personal journey. As the interview rolled on, her radiant spirit, humor, and message of hope came through loud and clear.  Thanks, Scott Simon!

She co-wrote the 1982 song, “Up Where We Belong”  from the film, An Officer and a Gentlemen. For this song, she  received a Golden Globe and an Academy Award, making her the first native person to ever win that award.

Check out Buffy’s interview with Scott Simon: 

https://www.npr.org/2018/09/29/652791230/buffy-sainte-maries-authorized-biography-serves-as-a-map-of-hope

Don’t miss this soulful video of  Buffy’s You Got to Run ( Spirit Of The Wind )

 

Up Where We Belong, I recorded this in my studio yesterday, inspired by Buffy’s interview! It’s such a beautiful song, an old favorite.

 

Who knows what tomorrow brings

In a world few hearts survive
All I know is the way I feel
When it’s real, I keep it alive

The road is long
There are mountains in our way
But we climb a step every day
Love lift us up where we belong
Where the eagles cry
On a mountain high
Love lift us up where we belong
Far from the world below
Up where the clear winds blow…………………………………..

 

The original recording  by Joe Cocker and Jennifer Warnes:

 

Indeed,

Love Lift Us Up! 

Merry Christmas from snowy Seattle

Snow is starting to fall.  Looks like we’ll be having a white Christmas in Seattle! Here’s to  peace, love, music, health, and joy today, and every day. Here’s my daughter, Ruby, and I  playing Christmas Cookies (Dec. 17, 2017 at Music Center of the Northwest), originally  recorded by George Strait, written by Aaron Barker. Merry Christmas!

 

 

 

Strait To Vegas

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Rodeo queens, show girls, casinos, hustlers, Texas hold ’em, slots, swanky shops, and mile after mile of neon lights, oh my! Last weekend, Joe and I took a trip to Las Vegas, my first time. Why Vegas? Two words: George Strait.

I’ve been listening to and singing George Strait songs for over thirty years. I love his soothing voice, the beautiful songs, his personality, and his old- school country sound. What’s better than George singing more than thirty of his greatest hits, accompanied  by the Ace in the Hole Band?  Amarillo By Mornin’, Check Yes or No, The Chair, Easy Come Easy Go, are some of my favorites. I also enjoyed the two songs tribute to Merle Haggard, including, Are the Good Times Really Over, now that’s some old-time country!

I can’t stop thinking about the show,  what a delight to experience a stage full of  seasoned musicians who effortlessly and elegantly tossed off hit after hit. I think musicians of all genres would find inspiration in watching these professionals at work. Some of those guys were in their late 70’s if not 80’s.  Definitely not their first rodeo.

While in the big AT&T  Stadium, the concert had excellent sound with amazing views  of George and the band no matter where he was standing on the square-shaped stage, thanks to the Jumbotron.  For the encore, the George and the band played a perennial favorite… All My Ex’s Live in Texas, the Milk Cow Blues, and an old-time swing number, Take Me Back to Tulsa. Here’s George Strait singing Old Troubadour.

We also took in Cirque du Soleil’s One, featuring the music of Michael Jackson.  A stunning show with death-defying acrobatics, creative staging, brilliant costumes, amazing performers,  and dazzling lighting.  Standouts of the show  include, Billy Jean danced in the dark, the dancers (and flying acrobats),  outlined by a tiny lights,  the sexy, Dirty Diana, danced by an athletic, and incredibly flexible woman, the fierce female bass player playing all those memorable riffs such as  Beat it and Smooth Criminal,  and a hologram of the King of Pop himself, dancing the grand finale of the show.  Absolutely mesmerizing. Here’s the trailer for the show.

Below are some shots of the strip and check out George Strait singing Old Troubadour.

My version of Amarillo By Mornin’:

 

 

 

 

 

Heart and Place

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I’m delighted  to announce the launch of a new program, Heart and Place: Stories of the Westward Expansion told through music and narrative.  This project feels like coming home, as I grew up in rural Montana.  Choteau, Montana, to be precise, population 1800.
My early music experiences in that small town and have fueled my career as a music educator/ musician.  Some of those experiences include  singing in choirs, playing in band, studying piano, playing for church, acting in musicals, and to driving to the next small town for voice lessons. This program brings it all home.
I’ll be launching the program in Seattle on Oct. 14 and will be taking it to Montana to perform at the CM Russell Museum Oct. 26, 7:00, as well as several Great Falls area schools.
 The story of the West is epic, and while I cannot focus on everything,  I’ve chosen certain aspects to highlight including the music of the Overland Trail, the early frontier settlements, and the  Northern Cheyenne Courting Flute as taught to me by Jay Old Mouse of Busby, Montana. The performance includes solo piano music, singing, guitar, and demonstrations on the fiddle and the Northern Cheyenne Courting Flute.

“COURAGE IS BEING SCARED TO DEATH, BUT SADDLING UP ANYWAY.”   ― JOHN WAYNE

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