Connection and Compassion Through the Arts

 

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One of the highlights of my week  was teaching a the salsa in an elementary school  next to a 4th grade Muslim girl who had a huge grin on her face the entire time.  Her eyes were beaming  as she gave me a big bear hug at the end of the class before heading out the door.  In that moment of humanity, we were saying to each other, “I get you, and you get me.”  I’ll never forget it.

I just spent one week in an elementary school in Shoreline- teaching a Cuban cultural/dance/and song workshop to 45 classes and 600 kids in all. This residency was made possible by a grant from a local arts organization,  The Shoreline Arts Council.  To say the least, it was rewarding,  to take kids on a “classroom trip to Cuba.” I showed photos and videos of my trip, taught a tradition Yeruban song, a Spanish song, and taught the basic steps of two Cuban dance forms: Rumba, and Salsa.  The previous week,  I spent a day in a high school Spanish classroom  giving the same workshop to 5 groups  of  high school seniors (150 students in all),  yet another arts experience made possible with an arts grant.

You’ve heard it before, the arts transcends borders. When kids are exposed to the arts and culture through the arts, it broadens their world view, takes them outside of themselves, and makes them more compassionate human beings.

After one class, a second grader commented, “I see that even though a leader of a country can be thought of as not a nice person, that doesn’t mean the people that live there are bad.” Too true, my friend!

Here are some comments from the high school seniors:

M.K.  I appreciated the opportunity to express myself through artistic movement

L.E.  It was the most fun thing I’ve done in Spanish all year.

E.Z.  It was cool to learn a tradition of another culture.

L.E.  I’m glad I put myself out there to try it, it allowed me to be exposed to others.

Arts funding is currently under attack under our current administration. Please take a moment to  read this article in the New York Times  about the importance of arts and arts funding to our society.

March Music Madness

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“Be yourself; everyone else is already taken.”
Oscar Wilde

Piano Phasing, a concert featuring more than 25  pianists (playing at the same time)  was one of the highlights from this month. Four of my students and I participated in the event, playing a composition by a Dutch Composer, Kristoffer Zeegers.  For a taste of what piano phasing is all about. Thanks to Seattle teacher GraceAnn Cummings for making this possible and for Classic Pianos in Bellevue for hosting the event.

The experience was meditative, loud, and cathartic.  I can see the attraction of making a lot of noise. What a treat to participate right along with my students in a performance.  I adore my students xoxoxoxo!!!!!

In addition, there were adjudications sponsored by the Seattle Music Teachers Association. Nine of my students played two memorized pieces and received written and verbal feedback on their performances from a wonderful adjudicator from Spokane.  Three students participated in the Young Artists Festival at the University of Washington- which is adjudications…. amped up  a few notches with very  high level playing, expectations,  and world class adjudicators.

I adjudicated for a local festival myself,  spent a Saturday from 8-5 listening to about 50 young pianists play two pieces each while I worked with another adjudicator to give feedback on their performances.  Some of their performance attire could melt a heart!  A  six year old in a pouffy white dress with black polka dots comes to mind.

Oh March, never a dull moment.  I  started a music residency at Ridgecrest Elementary  featuring Cuban music and dance.  I’m  presenting  music and dance of Cuba in narrative, photos, and videos,  and then we salsa, rumba, and sing our hearts out!  It’s great to spend a day dancing.  (or a week! ) I’ll see every student in school for two classes when all is said and done, by the end of next week.

There’s a new project in the works  for the fall, and probably for  the next several years. The new project consuming my creative energy is  Heart and Place: Music of the Westward Expansion.   I’m reading a wide array of  history of the West in the 1800’s, including the Lewis and Clark Expedition, diaries of pioneers and settlers of the Western frontier, and anything I can get my hands on.  The story of Westward Expansion is complicated,  compelling, heart-breaking, inspiring, and massive! I’m  spending a good amount of time talking to historians and people who have personal stories (for example,  this wonderful story,  featuring Al Wiseman and the Métis fiddle tradition).   What a delight to  work on this project which is quickly becoming an obsession.  In a way it feels like coming home to my roots.

I’m determined to add  traditional music that would have been played on the trail by he early pioneers to my performance repertoire for this project.  In pursuit of that goal, I’ve started taking fiddle lessons.  A humbling experience, to say the least, but I’m highly motivated and so I  spend an hour every day  sawing on  my new instrument, the fiddle!   Rosin up that bow!

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Memories of Cuba

 

You’re invited to Memories of Cuba: Laura Dean presents piano music, songs, travel photos and videos from her recent music adventure! 

Sunday, Oct. 23, 2016, 2:00 PM

Music Center of the Northwest, 901 North 96th Street, Seattle, WA

Admission is free, made possible by grants from ArtsWA and MTNA

 

Rumba! (Yellow House Salon #10)

Today’s recording is a video of Rumba dancers and musicians taken at El Gran Palenque. (Havana, Cuba)

 

Rumba! Locals are packed in at El Gran Palenque in the Vedado district of Havana, Cuba.  It’s a rumba fiesta and all generations are represented in this lively party under the hot Havana sun.

Rumba is a Cuban dance accompanied by a live band. The musicians (rumberos), include a lead  singer and percussion. There are three sizes of drums (trumbadoras) and smaller percussion instruments including claves (two hollow sticks struck together),  a  catá (a small hollow trunk mounted on a stand and struck with two sticks), and sometimes a type of gourd shaker (a gourd covered with a netting of beads).

There are different styles of Rumba including  the guaguancó, the columbia, and the yambú.  The guanguancó is danced by couples and has a courting element where the man pretends to kick the woman between the legs and the woman quickly covers herself to avoid  his advances. The  Columbia is a solo dance for males while the  yambú is for older people, often accompanied by a cajón, or box drum.