A quick post to let you know the news that yesterday I signed a publishing contract with McFarland & Company, Inc. for my book: Heart and Place: Music and the Westward Expansion (this is the working title). The project is near and dear to my heart. I guess you say the book has been 51 years in the making, as both music and living in the West have played such a huge part in my life. There is still a long road ahead, but yesterday marks a big milestone along the way.
The book explores a variety of music traditions of the 19th Century American West including Northern Cheyenne courtship flutes, fiddle playing explorers, women composers, medicine songs, French tunes, dancing fur trappers, hymn-singing missionaries, piano playing nuns, frontier flutists, girls with guitars, wagon driving balladeers, opulent theaters, musical instrument showrooms, Chinese American Suona players, singing farmers, opera enthusiasts, musical miners, and preaching songsters. Stay tuned for updates on the book launch date!
Signing the Contract with McFarland & Company, Inc. 6/15/20
Emigrants Crossing the Plains (Albert Bierstadt), 1869
Our long journey thus began in sunshine and song
Peter H. Burnett, May 22, 1843
For the past two years, I’ve been researching the history and music of the early American West for an ongoing research project I call Heart and Place: Music of the Westward Expansion. The history of the American West brims with inspiring stories, musical diversity, artistic creativity, and valuable life lessons relevant to our modern world.
Today I’m sharing four video clips featuring short narratives and music of the Westward Expansion -played on four instruments. I have played this music for concerts in Oregon, Washington, and Montana, and even at Rancho La Puerta in Tecate, Mexico. I’m looking forward to working with this music and history for many years to come.
A “June Gloom” day in Seattle made for the perfect opportunity to visit the VICTORIAN RADICALS exhibit at Seattle Art Museum (SAM).
The attention to detail in the array of colorful paintings, tapestries, clothing, jewelry, and pottery transported me into a romantic world of gardens, gods, goddesses, secret liaisons, betrayals, and courtly love! My hands down favorite painting was Musica, by Kate Elizabeth Bunce. The lovely young musician with her ornate lute, sumptuous dress, and intricate jewelry, posed in front of a blooming floral arrangement, swept me away.
At one point I was asked to kindly step back from a display case (got to close). The case held a book which was open to a poem entitled, Edward Gray. I was mesmerized by the beautiful poem written by an English poet, Alfred Tennyson (1809-1892). I thought to myself, someone must have set this poem to music. When I got home, I did a little digging online and found a piece of sheet music written by Arthur Sullivan (1842-1900), of Gilbert and Sullivan fame. As it turns out, Edward Sullivan set Edward Gray to music. Sullivan’s setting is operatic, covers multiple octaves, and is far too complicated for the purposes of laying down a quick track for my blog…….. so I modified the melody and accompanied myself on my Taylor guitar as I don’t have a lute lying around the studio, I do however, have plenty of floral dresses.
Here’s my version of Edward Gray:
Here are some more beautiful paintings from the exhibit!
Sigismonda (or Gismonda), 1897 by Joseph Edward Southall
I didn’t get the name of the artist for this one… the narrative of the painting is about a young man who died in battle, the women are handing over some of his personal belongings to his broken-hearted lover!
Couldn’t we all use more flowers, more color, more art, more music, more beauty, more love?
Snow is starting to fall. Looks like we’ll be having a white Christmas in Seattle! Here’s to peace, love, music, health, and joy today, and every day. Here’s my daughter, Ruby, and I playing Christmas Cookies (Dec. 17, 2017 at Music Center of the Northwest), originally recorded by George Strait, written by Aaron Barker. Merry Christmas!
I’m delighted to announce the launch of a new program, Heart and Place: Stories of the Westward Expansion told through music and narrative. This project feels like coming home, as I grew up in rural Montana. Choteau, Montana, to be precise, population 1800.
My early music experiences in that small town and have fueled my career as a music educator/ musician. Some of those experiences include singing in choirs, playing in band, studying piano, playing for church, acting in musicals, and to driving to the next small town for voice lessons. This program brings it all home.
I’ll be launching the program in Seattle on Oct. 14 and will be taking it to Montana to perform at the CM Russell Museum Oct. 26, 7:00, as well as several Great Falls area schools.
The story of the West is epic, and while I cannot focus on everything, I’ve chosen certain aspects to highlight including the music of the Overland Trail, the early frontier settlements, and the Northern Cheyenne Courting Flute as taught to me by Jay Old Mouse of Busby, Montana. The performance includes solo piano music, singing, guitar, and demonstrations on the fiddle and the Northern Cheyenne Courting Flute.
“COURAGE IS BEING SCARED TO DEATH, BUT SADDLING UP ANYWAY.” ― JOHN WAYNE
Girls with Guitars! Last week, I taught a beginning guitar day camp that introduced these young ladies to the guitar. Thanks Ruby (my daughter), in the pink shorts, for helping me this week! We had a blast. We met for two hours every day Monday-Friday and our week culminated in a performance for family and friends on the deck.
Our songs for the week included….. Firework by Katy Perry, You Belong With Me by Taylor Swift, This Land is Your Land by Woodie Guthrie, and a traditional camp song… Ain’t No Bugs on Me.
I’d like to give a shout out to Rob Hampton of Heartwood Guitar. I love Rob’s site and frequently pull from his 600+ chord charts for inspiration. Thanks a million Rob for all of the great work you do! (I’m convinced you never sleep) These girls certainly appreciated learning such cool and accessible songs!
Here are two wonderful links to the song: Girls with Guitars who was written by Mary Chapin Carpenter performing it here. Also check out the incomparable Wynnona Judd performing it here. Oh, to be that fierce on stage!
Everyone love guitar, including French composer, Cécile Chaminade (1857-1944), who wrote this piece for solo piano: Guitare , which I recorded a couple of years ago on Women with a Past.
Santa Fe proved a sweet destination for Spring break 2017. My (soon to be 15 years old!) daughter and I headed down to the beautiful Southwest for some desert fun in the sun.
Santa Fe, steeped in complex history and diverse cultures, is a mecca for art and history museums. The Museum of Indian Arts and Culture and The Museum of International Folk Art, are both situated on Museum Hill overlooking 365 degree views of the mountains and the sweeping desert landscape. We stopped at a café for an outside table taking in the view between museum going.
Along with an impressive historical display depicting the lives of the indigenous cultures of the Southwest, The Indian Arts and Cultures museum included thought-provoking works by contemporary Native American artist, Frank Buffalo Hyde.
The plaza in downtown Santa Fe, a stroll from our hotel , was a terrific place to people watch, listen to music, window shop, and talk to the jewelry vendors selling their wares just outside of the Palace of the Governors (one of the oldest buildings in the country, dating back to 1610).
My favorite museum, New Mexico History Museum, tells the heartbreaking and captivating stories of the American Southwest – the native people, the Spanish colonists, the Mexicans, the Santa Fe trail, it’s all there! A bonus exhibit on Flamenco dance and music was a highlight. Turns out Santa Fe is a hot spot for Flamenco dance and culture.
Ruby Dressed as a flamenco dancer.
Then there was the Georgie O’Keeffe Museum showcasing a collections of paintings showing the evolution of her art throughout her career. I was as fascinated with her life as I was by her beautiful paintings. O’Keeffe lived 1887-1986, and spent much of her time at Ghost Ranch outside of Santa Fe, she was ahead of her time as an artist, traveler, observer, and independent woman.
It wasn’t all museums, we also took an afternoon to enjoy soaking and relaxing the 10,000 waves, a Japanese inspired spa just outside of Santa Fe. We also enjoyed the delicious and spicy Southwest cuisine and loved the crisp clear mornings and sunny afternoons.
Fueled by a sunny Seattle day, an invigorating yoga class, a stop for coffee, and a bouquet of fresh flowers, I headed home to record episode #2 of Yellow House Salon. Two and 1/2 hours later here it is.
Today’s episode is two recordings based on the traditional folk song, Wayfaring Stranger. This song has a beautiful, longing melody with words that speak of our journey through life. Walking through my wonderful Wedgwood neighborhood, I don’t feel like a stranger, on the contrary, I feel a great sense of belonging and contentment. That aside, here are my two takes on Wayfaring Stranger.
Laura singing/playing guitar Wayfaring Stranger, Traditional
Laura playing Wayfaring Stranger from American Ballads by Roy Harris.
Emigrants Crossing the Plains (Albert Bierstadt), 1869
