Burt Bacharach (1928-2023)

“This Guy’s in Love With You” by Burt Bacharach, arranged by Phillip Keveren, played by Laura Dean

Do you remember those huge stereo consoles circa mid 1970 where you had to lift a lid on the top to get to the turntable hiding inside? Listening to music was an intentional experience that took some planning – purchasing a record at at a brick and mortar record store. Not to mention, it also took a combination of strength and dexterity to lift the console lid and to gently place the record onto the turntable before dropping the needle.

My first introduction to Burt Bacharach’s music was “Raindrops Keep Fallin’ On My Head,” sung by BJ Thomas, and played by my Grandma Dean on her gigantic stereo console. I loved the ceremony of watching her load the record, singing along with the song, and sharing the experience together. The song, from the charming bicycle scene in the movie, Butch Cassidy and the Sundance Kid, remains a classic in the Bacharach canon.

In elementary school, in Choteau, Montana, where I grew up, our music classes took place in the cafeteria. Our beloved teacher, Dorothy Allen, would often pass out song sheets for sing alongs. While she accompanied on the spinet piano, we sang our hearts out. One of our favorite songs was the Bacharach hit, “I’ll Never Fall in Love Again.” I think it was the groovy melody more than the words that hooked us, after all, we really weren’t interested in love, but we did recognize a great tune.

The news stories in the wake of Burt Bacharach’s passing last week remind us of his huge body of work and his many contributions to the “Great American Songbook.” His lovely melodies, accompanied by thoughtful lyrics, have left an indelible mark on our hearts. Thanks Burt Bacharach, we will be teaching, playing and listening to your music for decades to come!

CBC Sunday Morning story about Burt Bacharach:

Diana Krall sings “The Look of Love.”

Dionne Warwick sings “I Say a Little Prayer for You.”

The Phillip Keveren Bacharach and David Collection of Piano Solos

A Magical Year!

“Walking in the Air” by Howard Blake-played by Laura

It’s warm and cozy in my studio as the rain drums on the roof on this penultimate day of 2022. I’m reflecting on this past year, a magical year. My personal highlight was the publication of my book, Music in the Westward Expansion: Songs of Heart and Place on the American Frontier. Over the past few months, I have thoroughly enjoyed giving concert presentations to audiences in Tecate, Mexico (at Rancho La Puerta), Seattle, and in Eastern Washington. I am just getting warmed up, as there are several more Heart and Place concerts in the works for 2023. I will also be releasing a recorded collection of songs/pieces (on a CD and digital recording) entitled Songs of Heart and Place.

In addition, the year provided special moments all along the way- teaching my students (ages 5-adult), working as a visiting artist in Olympia and Edmonds, early morning swims with my dear swimming pals, traveling to Sedona, hiking along the south rim of the Grand Canyon, cooking dinner for friends, and the daily interactions with people in my neighborhood. There’s magic afoot everywhere.

Over the past two weeks, I’ve been taking a staycation filled with music practice, organizing my studio, planning for the year ahead, taking long walks, reading, and spending time with family and friends. Holiday events have included a couple of special music concerts. The first, a Harry Connick Jr. concert at Seattle’s Benaroya Hall- which felt like a trip to new Orleans with fabulous jazz musicians, funny stories, and Harry’s voice and piano prowess- oh my! On another night, Ruby and I attended the Northwest Boy Choir’s “Lessons in Carols” proceeded by dinner at the Wild Ginger-our annual tradition. (picture of me and Ruby taken at the Wild Ginger-which is across the street from Benaroya Hall)

Music remains a plentiful source of joy, levity, comfort, and connection in our daily lives! May you have a multitude of musical and magical experiences in 2023. Wishing you a warm, cozy, prosperous, healthy, and memorable new year!

Author Events beginning next week!

A quick note to remind everyone that I have a couple of author events coming up for my new book, Music in the Westward Expansion. I’d love to see you there! Both events will include narrative interspersed with live music played on the Northern Cheyenne Courtship flute, the piano, and the guitar!

Saturday, August 6, 2022, 7:00 -8:30 pm

Music Center of the Northwest
901 N 96th St, Seattle, WA 98103
Free Admission- no registration required

*Audience members at the Music Center are required to wear a mask.
*I will have a limited number of books on hand for sale for the Music Center event. If you’d like a book signed, I encourage you to purchase a copy ahead of time at your favorite book seller

Tuesday, August 9, 2022, 7:00 -8:00 pm

Third Place Books at Ravenna: 6504 20th Ave NE, Seattle WA 98115. Registration is required-click on the above link. Third Place Books is stocked with copies of the book for purchase.

The Girl I Left Behind Me!

Happy Summer

Meadowbrook Pond in North Seattle

Summertime! I hope you are enjoying activities, places, and people that bring you joy. The studio is buzzing with summer lessons, and preparations are underway for upcoming August author events. I’ve have launched a series of short music videos that go hand in hand with my book, Music in the Westward Expansion: Songs of Heart and Place on the American Frontier, and I’ve created dedicated page on my website just for the book. I encourage you to visit the book page for new updates-including music clips and videos! I hope to connect with you soon either online, at an author event, or around the neighborhood!

Love and music
Love and Music!

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Harvest Time

This post is part of an ongoing series featuring recorded music, stories, and narrative from my forthcoming book: Music in the Westward Expansion: Songs of Heart and Place on the American Frontier.

Harvest. ca. 1869., artist unknown. Image courtesy of the Library of Congress.

William Van Orsdel, “Brother Van,” known as the best loved man in Montana. (ca. late 1800s)

Brother Van with friends and bear cub in Great Falls, Montana. Photo courtesy of the Brother Van Museum Archives. (ca. late 1800s)

“Harvest Time,” known as “Brother Van’s Song.” played by Laura Dean
Harvest Time 
The seed I have scattered in spring-time with weeping 
and watered with tears and with dews from on high;
Another may shout when the harvesters reaping 
shall gather my grain in the sweet by and by.

Over and over, yes-deeper and deeper 
my heart is pierced through with life's sorrowing cry,
but the tears of the sower and the songs of the reaper 
shall angle together in joy by and by. 

By and by, by and by 
by and by, by and by
But the tears of the sower and the songs fo the reaper shall
mingle together in joy by and by.

Then palms of victory, crowns of glory, 
palms of victory I shall wear. 

William Van Orsdel (1848-1919), known as Brother Van, was often referred to as “the best loved man in Montana.” Brother Van, an enthusiastic singer, often broke into song during his sermons. He was a 19th century Methodist minister and circuit rider – a preacher who rode from town to town conducting church services. He tirelessly preached the gospel to congregations both large and small – on a steamboat, in saloons, in churches, and on rustic homesteads throughout the state of Montana. As a young man, a riverboat captain asked why he was going to Montana, Brother Van replied, “To sing, to preach and to encourage people to be good.”

For more about Brother Van and how he once saved his life with music, you’ll have to read my forthcoming book! I just learned that my manuscript has moved into the paging or pagination phase-which means another step closer to the publication date-early 2022.

Music in the Westward Expansion: Songs of Heart and Place on the American Frontier at McFarland Publishers, Amazon, Barnes and Noble, or ask about the book at your favorite book seller.

Featuring music from the American West played on four instruments!

Unknown.jpegEmigrants Crossing the Plains (Albert Bierstadt), 1869

Our long journey thus began in sunshine and song

Peter H. Burnett,  May 22, 1843

For the past two years, I’ve been researching the history and music of the early American West for an ongoing research  project I call Heart and Place: Music of the Westward ExpansionThe history of the American West brims with inspiring stories, musical diversity, artistic creativity, and valuable life lessons relevant to our modern world.

Today I’m sharing four video clips featuring short narratives and music of the Westward Expansion -played on four instruments. I have played this music for concerts in Oregon, Washington, and Montana,  and even at Rancho La Puerta in Tecate, Mexico.  I’m looking forward to working with this music and history for many years to come.

Take a look here for more information on the Northern Cheyenne Courtship Flute. 

 

VICTORIAN RADICALS

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Musica (Melody) by Kate Elizabeth Bunce

A “June Gloom” day in Seattle made for the perfect opportunity to visit the  VICTORIAN RADICALS exhibit at Seattle Art Museum (SAM).

The attention to detail in the array of colorful paintings, tapestries, clothing, jewelry, and pottery transported me into a romantic world of  gardens, gods, goddesses, secret liaisons, betrayals, and courtly love!  My hands down favorite painting was Musica, by Kate Elizabeth Bunce. The lovely young musician with her ornate lute, sumptuous dress, and  intricate jewelry,  posed in front of a blooming floral arrangement, swept me away.

At one point I was asked to kindly step back  from a display case (got to close).  The case held a book which was open to a poem entitled, Edward  Gray.  I was mesmerized by the beautiful poem written by an English poet, Alfred Tennyson (1809-1892).   I thought to myself, someone must have set this poem to music.  When I got home, I did a little digging online and found a piece of sheet music written by Arthur Sullivan (1842-1900),  of Gilbert and Sullivan fame.  As it turns out, Edward Sullivan set Edward Gray to music.  Sullivan’s setting is operatic, covers multiple octaves, and is far too complicated for the purposes of laying down a quick track for my blog……..  so I modified the melody and accompanied myself on my Taylor guitar as I don’t have a  lute lying around the studio, I do however, have plenty of floral dresses.

Here’s my version of Edward Gray:

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Here are some more beautiful paintings from the exhibit!

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Sigismonda (or Gismonda), 1897 by Joseph Edward Southall

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I didn’t get the name of the artist for this one… the narrative of the painting is about a young man who died in battle, the women are handing over some of his  personal belongings to his broken-hearted lover!

 

Couldn’t we all use more flowers, more color, more art, more music, more beauty, more love?

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Cafe Flora, Seattle

 

HEAR IT! SING IT! MOVE IT!

CD Cover

Hear IT! Sing IT! Move IT! is  available as a Pre-K or  K-5 Residency! Laura will visit your school and teach the songs and dances in a classroom setting! 

Hear It! Sing It! Move It! is my latest project, the online package includes a booklet and recordings featuring 15 North American folk songs drawn from English, French, Latin American, Caribbean, Canadian, and Sioux traditions.  The complete recordings and the PDF booklet,  bursting with lead sheets, a teacher’s guide and links for further exploration, are available gratis on this dedicated page!

The project, funded by a Teacher’s Enrichment grant from the Music Teachers National Association, was originally intended for preschoolers, ages 3-5.  However, I think anyone, young at heart, will enjoy the recordings and the booklet!

Go ahead, dig into the guide, sing or play your way through the songs on your own, or share them with a special person in your life. Feel free to pass on the link to children, grandchildren, teachers, friends, musicians, librarians, or your next door neighbor.   It’s up for all to enjoy! 

Below are a couple of the 15 songs you’ll find on the page:  Hear It! Sing It!  Move It! 

Up in a Balloon

Tía Monica 

Strait To Vegas

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Rodeo queens, show girls, casinos, hustlers, Texas hold ’em, slots, swanky shops, and mile after mile of neon lights, oh my! Last weekend, Joe and I took a trip to Las Vegas, my first time. Why Vegas? Two words: George Strait.

I’ve been listening to and singing George Strait songs for over thirty years. I love his soothing voice, the beautiful songs, his personality, and his old- school country sound. What’s better than George singing more than thirty of his greatest hits, accompanied  by the Ace in the Hole Band?  Amarillo By Mornin’, Check Yes or No, The Chair, Easy Come Easy Go, are some of my favorites. I also enjoyed the two songs tribute to Merle Haggard, including, Are the Good Times Really Over, now that’s some old-time country!

I can’t stop thinking about the show,  what a delight to experience a stage full of  seasoned musicians who effortlessly and elegantly tossed off hit after hit. I think musicians of all genres would find inspiration in watching these professionals at work. Some of those guys were in their late 70’s if not 80’s.  Definitely not their first rodeo.

While in the big AT&T  Stadium, the concert had excellent sound with amazing views  of George and the band no matter where he was standing on the square-shaped stage, thanks to the Jumbotron.  For the encore, the George and the band played a perennial favorite… All My Ex’s Live in Texas, the Milk Cow Blues, and an old-time swing number, Take Me Back to Tulsa. Here’s George Strait singing Old Troubadour.

We also took in Cirque du Soleil’s One, featuring the music of Michael Jackson.  A stunning show with death-defying acrobatics, creative staging, brilliant costumes, amazing performers,  and dazzling lighting.  Standouts of the show  include, Billy Jean danced in the dark, the dancers (and flying acrobats),  outlined by a tiny lights,  the sexy, Dirty Diana, danced by an athletic, and incredibly flexible woman, the fierce female bass player playing all those memorable riffs such as  Beat it and Smooth Criminal,  and a hologram of the King of Pop himself, dancing the grand finale of the show.  Absolutely mesmerizing. Here’s the trailer for the show.

Below are some shots of the strip and check out George Strait singing Old Troubadour.

My version of Amarillo By Mornin’:

 

 

 

 

 

Heart and Place at the C.M. Russell Museum,Great Falls, MT

 

 

Fourteen performances in four days in six different venues!  (Sounds like a country song)  I’ve just returned to Seattle after presenting my program, Heart and Place, Music of the Westward Expansion, in Great Falls, MT last week. The week involved hauling around a guitar, fiddle, Cheyenne Courting Flute, and sometimes a full size keyboard, and amp along with samples of C.M. Russell artwork.

The C.M. Russell Museum sponsored the residency which included programs in middle and high schools, as well as an evening performance in the museum.

The highlight was playing a concert in the intimate setting of the museum for around eighty people on a beautiful Yamaha grand. There was something magical about playing 19th Century music surrounded by Russell’s artwork and artifacts from the same era.  Many people in the audience were from my hometown of Choteau. Choteau is 50 miles down the road from Great Falls. Thanks to all who made the journey down the road!

I can’t say enough about the dedicated arts professionals in Great Falls including the music and art teachers in the classrooms, along with the Music and Art Supervisor for Great Falls Schools, Dusty Molyneaux and Eileen Laskowski, Education and Programs Manager for the C.M. Russell Museum.

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I’m in love with Montana. For other states I have admiration, respect, recognition, even some affection. But with Montana it is love. And it’s difficult to analyze love when you’re in it.

-John Steinbeck