Spring Mozart, Yellow House Salon #13

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Mozart Sonata K. 545, Andante, photo taken by Laura in the Ravenna neighborhood of Seattle.

An overcast spring Seattle day calls for a break from the Cuban pieces I’ve been working on. Time for some classic Mozart.  A Mozart sonata with its clear sonata form, lyric melody, and clean accompaniment, is always fresh and elegant.  It’s something like a trusty little black dress, a Timex watch, a pair of faded Levi’s, or a cup of good brewed coffee. This andante movement of the 545 sonata reminds me of the cat in this photo- unsentimental, refined, classic, and cool.

Creating a Studio Community

From an article I wrote for the Seattle Music Teacher’s Staccato Notes, November 2015

Keeping It Light (Leggiero)

by Laura Dean, NCTM

Building a Studio Community

After the recital, a group of students, ages 5 through 18, lingered at the piano. They took turns singing and playing while parents visited and remarked how delighted they are the kids are having such a wonderful time with their music lessons. Other students munched on refreshments, wrote on the black light wall, and joked together as our recital reception came to a close. This is the scene at my last studio recital held in an interesting venue which lends itself to a festive event. Many of these students and families have been with me for over a decade. This leads to the question: How can you build a strong studio community that keeps students coming back year after year?   

Here are a few ideas that have stood the test of time from my studio.

  1. The Photo Door. Every fall, I create a new photo display on the door of the studio featuring each student and a particular theme. This year, I purchased a bag of photo booth disguises, and students chose which disguise to use as they posed for their photo.  Currently, the door is filled with adorable photos of students sporting cardboard crowns, beards, mustaches, bow ties, and top hats. The students look forward to the new picture wall every year, the door reminds them they are not alone, that all of these other students are also taking lessons.
  1. The Birthday Song. When a birthday rolls around, students receive a piece of sheet music of their choosing. I use http://www.musicnotes.com. They usually select a pop favorite, rock classic, movie theme, or something from a video game.  The website allows us to print a one page sample which helps us determine if the student can technically handle the piece.  We make the final decision and with a click of the mouse, we download the song and instantly start to work on it. FUN!
  1. The Sing-Along.  If you’ve ever listened to A Prairie Home Companion, you know the joy and power of the group sing-along. Garrison Keillor (my hero), is a master at leading the sing-along.  All of our recitals either begin or end with a group sing-along.  I print the lyrics on the back of the program and everyone joins in. We’ve sung a variety of songs from Amazing Grace, to Moon River, to We Will Rock You. Parents and students know this is part of the show and everyone looks forward to it. (Think of guests on the Ellen Degeneres Show who know they are going to dance as part of the gig.)
  1. The Theme Recital.  Each December, we play a recital featuring traditional solo piano repertoire from the major time periods. In the Spring, we produce a recital with a different theme each year.  Examples of past themes include: Jazz Standards, Movie Themes, The Beatles, Rock Classics, and Broadway Musicals. This is a real hit and lends itself to creative programming that delights both the performers and the audience.
  1. Mini music camps: In the summer and during vacations, I often offer mini camps (with a maximum of 6 students),  with emphasis on learning something outside of the usual curriculum such as Beginning Guitar for Piano Players, Finding Your Singing Voice, and Composition. This offers students a chance to get to know each other and to explore a new way of making music.

A little thought, planning, and creativity goes a long way to building a strong studio community.  This strong community means students and parents are likely to be committed to their music lessons for the long run. Now, how about a quick trip to Display and Costume to pick up some student disguises?

A Teaching Philosophy

I’m working on a certification through MTNA (Music Teachers National Association).  This is a long and challenging process, but a very good one that forces me to examine my teaching, my methods, my raison d’être.  After teaching for 20 years, here is my evolved teaching philosophy crafted over the past few months.  (this relates specifically to piano lessons).  In the words of Sergi Rachmaninoff, Music is enough for a lifetime, but a lifetime is not enough for music. 

Summer time and the liven' is pretty!

Summer time and the livin’ is pretty!

My goal as a music educator is to foster a lifelong passion for music and the arts. My role includes mentoring and collaborating with students as they navigate their individual music paths. Music is a language and it is my job to teach students to read, write and express themselves artistically in this language. I tailor the curriculum and lessons to accommodate each student’s learning style. More about specific activities for different learning styles can be found below. Many of my students study with me from the early elementary years through their senior year in high school.

I use an array of materials in the studio including a variety of method books. (Piano Adventures, Succeeding at the Piano, and Faber and Faber.) As students progress, we move away from the method books as repertoire is drawn from a variety of composers such as Bach, Beethoven, Haydn, Kabalevsky, Mozart, Chopin, Brahms, Beach, Schubert, Mendelssohn, Bartok, Gershwin, Copland, Ponce, Nazareth, and Turina, to name a few.

While working with traditional repertoire, it is also my job to teach music lessons relevant to the lives and interests of my students. For example, one of my students loves playing video game music. As it turns out, video game music was the hook I needed to push him into the next level of music reading which, in turn, renewed his interest in learning traditional repertoire.

Piano lessons in the Lauramusic Studio are offered year round for ages 4 years old-adults. Lessons include technique (scales, arpeggios, chords, technical exercises), music reading, and exposure to a variety of classic piano repertoire (baroque, classical, romantic, and modern eras). We also explore folk songs, blues, lead sheets, jazz, and popular music. Our recitals reflect this diverse repertoire, for example, the winter recital features traditional concert pieces. In the spring, our recital revolves around a specific themes such as the Beatles, jazz standards, movie music, and rock ballads. During the summer, each student composes a piece of music and learns to notate their music using computer software (SongWriter by Finale).

Assignments and practice recommendations are recorded in the students’ music binders. Assignments also indicated (by post-it notes) in the students’ music books. Students are required to practice and come prepared for their lessons with books and materials in hand. Students should practice five days per week from 15 minutes a day for my very young beginners to 1 hour or more per day for my advanced students.

A typical 45 minute lesson includes the following activities:

  • Body-mind warm-up and focus exercises
  • Technical exercises and scales
  • Review of last week’s assignment
  • Introduction of new material
  • Listening to a recording or a mini music history lesson
  • As time permits: a mini concert, duet playing, improvisation, composing, games, rhythm instrument playing

Examples of music lesson activities to accommodate different learning styles:

Auditory learner activities may include digital piano with playback recording, CD listening corner (with a variety of CDs including classical music, world music, folk songs, jazz and blues), browsing websites with a listening focus including King FM’s, Explore Music.

Kinesthetic learners, enjoy the Brain Dance (a movement curriculum developed by Ann Green Gilbert), rhythm instruments, experiential games played on the floor such as the magnetic white board, music card games, and digital piano that allows students to change the sound with the turn of a knob.

For visual learner, I rely on books about music history, colorful flash cards, card games, worksheets, You Tube links to great piano performances, and games on the websites such as, Color in My Piano and Piano Morning.